As a director I have chosen to keep my production of Blood
Wedding roughly within its original early 20th century rural Spain
as I believe the major themes of death, conformity and non-conformity and the
role women play in binding a family transcend both place and time. They are as
relevant and pertinent now as they were when Lorca first wrote them. I also believe
that much of the play exists in a timeless beauty that doesn't really need
locating too strongly. I also believe
that the strong characters that Lorca has written should be the real focus of
the play and therefore want to allow them to operate with the minimum of
distraction for a contemporary audience.
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